The Theory of Goodbyes™

Yesterday I sold my old Honda Prelude. I thought there would be more Pomp & Circumstance when the moment came to pass over the title, but when the moment Came it just as suddenly Went.

7/18/19 12:34 AM
During “lasts,” everyone acts exactly as they always have

That’s from my third journal entry ever, almost 6 years ago. I coined this phenomenon the Theory of Goodbyes™ after observing it at the tail end of college. I was saying goodbye to friends, acquaintances, strangers, and I noticed that every goodbye you give someone is a near-perfect representation of your relationship with them as a whole. There is room for perhaps about a ±10% deviation. From Harrison Garber, whom I lived a few doors down from in the freshman dorm and greeted with a downwards head nod as Hello for the next four years: here, let’s try an upwards head nod as Goodbye. To Lorenzo Johnson, who I liked but never hung out with one-on-one: I’ll miss ya, man, let’s grab a coffee before you leave town! And the coffee never comes. To Codename: Apples, who I loved deeply in a way I could never articulate into words: let’s spend the final month of my lease together, catching caterpillars and acting like the summer will never end and you won’t have to go away to grad school. When it does, we’ll slip out of Us the same way we slipped into it — without a discussion.

And from my trusty Honda Prelude, who shakes when it idles: one final shudder to give Johan a bit of buyer’s remorse on the way out. And from me, who treated it like shit despite it ultimately getting me from Point A to Point Z for the last 12 years: a final lapse in faith that it would make it all the way down to San Diego, before it — as always — comes through clutch, and the money order hits my bank account and buys me one more month here in LA.

***The Prelude, getting me where I need to go***
The same as it always has.

When the Goodbye comes, there’s no stopping it. A Goodbye is a fixed point in Time that comes whether or not you move towards it. As 4-Dimensional beings trapped in our 3-Dimensional awareness, we forget that even as we stay perfectly still in Space, we are always moving forward in Time. I think that’s Relativity. I don’t know. I think this is what happens at the end of Interstellar. Again, I don’t know. I’ll be honest, I don’t really like that movie.

***Another life update***
I decided to stay in LA and not move to New York.

I stalled this decision for as long as I possibly could, but despite my gnashing I added not even one (1) fraction of a millisecond to the last year. When July came, so did clarity, and thus dissipated the noble idea that moving across the country would not completely & utterly destroy my life and Everything I Have Built So Far. But it’s amazing how, over the last year, I debated this over and over in my head, as if when the time came, this wouldn’t have been the decision I made. I like to think that I have more control over my decisions when, truthfully, I believe most of them were made for me back when we were stardust.

So yes — I’m in LA, again. Did I ever think I could leave? I came here with a mission, 5 years ago, and despite how much I have twisted that vision, or tried to reword it into something else, I followed the pre-written course of my destiny by coming here and I don’t think it’s time for me to deviate quite yet.

***Let’s put it simply***
I still have so much left to do here.

I got lost, the last few years. I won’t even summarize it, because I’ve been telling myself this narrative for too long and I want to forget about it. I wanted a fresh start — can you tell by my last few blog posts? — and I wager I can find that fresh start here, in LA. So I moved into a new loft, back in Hollywood-WeHo cusp, and it feels familiar and like a culmination of everywhere I’ve ever lived up to this point. I’m telling myself now, and you can hold me accountable a year from now: I will not be moving out of this place. I’ve moved 12 times in the last 10 years. No more. This is my home.

Moving into this new loft is my re-commitment to LA, and my dreams, and my career, and my future. It’s been a strange year. It’s been a strange life. I think of the end of Fight Club — “You met me at a very strange time in my life.” I’ve said that to every single girl I’ve ever dated. I’ve said that enough times that I’m starting to think: maybe the default time in my life is strange. It would be stranger if it was normal. To wit — I am ready to re-engage with my life as a small part of a bigger, unknowable story. I’m done hiding out downtown, waiting out the year until my heart is fully healed. Eventually your lease will be up, and month-to-month costs 25% more. So you move on, or you go broke.

***Is the metaphor clear?***
I’m tired.

The scope of this blog is much, much smaller than the previous ones. Since December, I was ramping up into what felt like a natural conclusion with The Book of Max. After that, Gachapon Capsules was an absolute behemoth to write, and I’m a bit Burnt. I miss the casual and more observant tone of my earlier blog posts. So I expect the frequency to Go Up and the word count to Go Down. I think the lack of pressure will be good for all of us.

“Olivia” is out tomorrow and with it, a new era of True Modern Romance and the falling action as the era as a whole begins to wind down. There’s color back in my life. The future, for once, seems wide open. And for the first time in four years, I feel unstuck. So to the Honda Prelude, and my old life: thank you.

And to you, dear reader: ’til next time.
-mbk

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Catching Bees in Gachapon Capsules

We were lucky — the clouds were barely wisps, so there was enough sun to say that summer had properly started, just in time for it to end. Papa (I’ll start calling him dad in a few years) set up the PSX on the CRT in his & Mom’s room, and the sliding door was open so I could see outside. When we get Rocco, he’ll be laying near the white lawn chairs on the top deck; that was still a few years away, so Barney was snoring there alone. Sis was downstairs, snoozing on the couch. I was on the floor, half-inside-half-outside, stuck on the ladder puzzle at the end of Magma Cone. I just couldn’t get Spyro to latch onto the rungs before a lava ball would knock me off. I wasn’t bored yet, even though I had been playing Ripto’s Rage for weeks, which was a significant portion of my lifespan.
My brain was still new, so it was a bit useless trying to conceptualize the future, but I could sort of tell that I wouldn’t be able to spend as much time on the game once school started. Really all I knew about the new school year was school supply shopping and checking the class roster. “Look for ‘Pak,’” Mom said later that afternoon as we got to the front steps of Meridian Elementary. I knew this — we had been over it — most people find out today which teacher’s class they’d be sorted into, but since I was starting the Gifted Program (this was before they called it Hi-Cap) there was logically only one choice for me. This was good. I didn’t have to waste any time and could skip to the good part.
Mottola, Marcello” is always near the middle of the list, so I aimed my eyes there, confirmed I existed and got to scouring the other entries. They were only ever names, no faces, but what I was looking out for was interesting storylines. Could I be friends with someone named Gladkov, Anthony? No — he’s funny and good at soccer, but when he switches schools after the boundary change I’ll never hear from him again. Howard, Kenny sounded promising — we’ll have a few sleepovers in his treehouse next year. Neuemeier, Emily — I wonder how to pronounce that? — if I liked girls yet, I would’ve wondered if she was any cute, despite knowing how in a few months she’ll tell me that my teeth were crooked and yellow. Rossiytsev, Michael — that was the only familiar name. He was in my class last year and we got along well now that his English was improving. That was important, I thought, as a foundation for a friendship that lasts two decades and beyond. It made me sad to know that he and I would lose touch for a few years in our twenties. I kept reading. Truong, Emily — wait, another Emily? Things are going to get confusing, I thought, and they were.
The Gifted Program was ruthless, cutthroat competition. Early in the year Oxsen, Steven couldn’t figure out how to use scissors on his own and his parents sent him back to Crestwood. When I see him again in middle school, he’ll be a skater and a stoner, but not quite a delinquent. He’ll be really smart, actually, and that’ll be his reputation — smart but a stoner. What’s he doing now? I’ll think, as I write a blog post in 2025, and wonder if that persona had anything to do with being told he wasn’t quite cut for the smart class. A defense mechanism. I hadn’t developed mine, yet. I loved being smart. I liked to draw, I was funny, and I hadn’t yet put on the weight that’s gonna cause me so much insecurity for the rest of my life. Jevandre will call me Choji for that in a few months, and it’ll be 15 years before he apologizes, but today I hadn’t even met him yet. I actually didn’t even register his name on the roster: Santiaguel, Jevandre. He was still going by his father’s name, then. Mr. Santiaguel was out of the picture, but Jevandre told me that his mom had a new boyfriend: “I’m gonna be Jevandre Diaz once he adopts me,” he told me the first day I met him. It was one half of a conversation he’ll end with me the day he kills himself. “I think it all started with my dad,” he tells me over the phone, “the core wound.” And a few weeks later — sure enough — Mr. Santiaguel doesn’t even come to the funeral. “That’s fucked up,” I mutter, saying the swear under my breath so Ms. Pak doesn’t hear. Even at 8 years old I can see his melancholy, hovering over the sarcasm and the belly laugh that makes his shoulders shrug. I can see how dark his room will be, the last time I see him.
It was about four months into the school year — fall 2005 — and Jevandre and I were seated at an island of desks together in the back of the class with Michael. Every few weeks, Ms. Pak would re-arrange the seating chart to encourage us to make new friends in the class. She was smart to focus on the internal commingling early. By the time the rest of the school gets all tribal and disdainful of the smart kids, we’ll be grateful for the bonding time.
When the bell rang for PM recess and we filed out of the classroom, a tall blonde girl named O’Connell, Amber waved goodbye to me and ran off with Collins, Naomi. I clocked this, and so did Jevandre.
“Amber likes you, you know,” Jevandre told me, eyebrow raised.
Michael laughed, in that infectious way he always will.
“How do you know?” I asked.
“Dude, it’s obvious,” Jevandre said, “she was following you all around the roller rink.”
I couldn’t deny it — the previous night, we had an after-school event at the TLC Family Skate Center. We were growing up in that strange post-9/11 transition period when it was still okay to indulge in a few remnants of late-90’s neon optimism. TLC will eventually turn into a Super Buffet, where the shrimp will give me food poisoning, and that’ll be the last time I’ll enter those doors, where once I had played air hockey with Amber.
“So?” I said, setting up a deflection, “Michael follows us around.” Michael laughed, again — he still laughed at jokes at his expense, so I hadn’t started feeling bad for them yet. I knew Amber liked me, but I wanted Jevandre to confirm it. He was the first of us to be interested in girls, and as he was with all his interests he found himself a prominent expert in the field.
“I wish Codename: EQ would follow me around like that,“ Jevandre added. Codename: EQ was a girl named “Erika Quan.” Jevandre gave his crushes easily breakable codenames, a habit I’d emulate in the future.
Jevandre sighed, indulging in the drama of it all. He did this with his own playful sort of sardonicism, as if he enjoyed yearning for a girl who didn’t know he existed. As if she even could — she was in fourth grade, for Christ’s sake, all the way over in Ms. Brodhead’s Gifted class in the intermediate wing. But what better target for a doomed crush? How romantic? — thinking about what could never be. Even then, I was mesmerized by this idea, much more so than the idea of having my crush be a girl that actually liked me! I wasn’t ready for that kind of commitment. Not at 8, not at 28.
“She should be your crush, dude,” Jevandre concluded. He was firm in his wish — he wanted me to have a crush, too, so then we could be in the thing together. It was the first seed of a Pact we would make, post-college, before I moved to LA with Michael.
“But I don’t like her,” I said, “I don’t even like girls yet.”
It’s not that I could tell the future, but logically I concluded that it was coming, eventually. It’s like when Ms. Pak asked me if I believed in Santa and I told her: “Yeah, I still do.” She gave me the strangest look. After this Christmas, my parents will tell me Santa was never real, and I’ll sleep easier knowing I got to the truth before I heard it.
The bell rang, recess was over, and soon after the school year would be, too, and childhood after that. Amber will move away and I’ll never see her again, but in my early 20’s I’ll look her up on Facebook and decide that she was my first crush.

When I gained consciousness on the morning of my 9th birthday, I opened my eyes slowly, looking at the rungs of the top bunk and realized they had… changed. Yesterday, my room was just my room, but today it was a dresser and a bed and a Nacho Libre poster — and not only that, the dresser had knobs and the bed had a frame and Nacho Libre was Jack Black. I squinted my eyes at the fractals, wondering if this awareness would help me on my times tables. Doubtful. I couldn’t get over the injustice that I had, without my consent, shifted into a rich and vivid world beyond my depth. The river of time felt heavy, and I could already feel how my muscles would ache as I raged against it, years down the line.
“What a drag,” I sighed, scowling at the growing complexity around me, knowing that I put off my melancholy for as long as I possibly could. 9 blissful years of ignorance! Oh well, it was fun while it lasted. At least I was older than Jevandre and Michael. Some stuff still mattered, I thought.
A month later, in February, Jevandre turned 9, too, and I went to his birthday party. Michael’s parents wouldn’t let him come, so it was just me, Mom and Papa. It was my first time being at Jevandre’s house, except it wasn’t his house, it was his aunt’s house. And funnily enough, that aunt ended up being my aunt, too. Mom recognized her, realized they grew up together and lost touch, just to be reconnected all these years later. “Only in a Filipino family,” they said, and I laughed like I knew what that meant. We were on the floor, playing Ultimate Ninja 3.
“Guess we’re cousins,” I told Jevandre as I activated my Nine-Tails form.
“That means you’re my kuya,” he said, “That means older brother in Tagalog. And I’m your ading. That means little brother.”
“Brothers,” I said as Jevandre won the round with a decisive Fireball Jutsu, “I never had a brother.”
Roxanne, Jevandre’s mom, overheard us from the kitchen. Roberto, her boyfriend, put his arm around her and they let us have our moment. In a few years, they’d be married, Jevandre would take Roberto’s name, and Jevandre would have two brothers of his own, real brothers. My only brother would ever be my cousin, and he just kicked my ass 1v1. But instead of gloating, he used the moment as teaching opportunities. He was good at that. Sagely, he said I needed to work on the timing for my Substitution Jutsu.
The next round, I actually beat him using what he taught me.
“Call me Jevandre-sensei,” he said, proud that even though he was ading, his kuya was the disciple. He would always be good at fighting games, and eventually, he’ll become a real fighter, too. At the same time, I’ll become a musician. Lightyears of spacetime away, in a parking garage in South Lake Union, Jevandre and I will shake hands to seal the Pact as I prepared to move down to LA with Michael and the rest of the band.
“I’ll come down for your first big show,” he’ll vow, “and you fly back up to Seattle for my first big fight.”
Like always, he’ll want us to be in on it together. We’ve been setting up this Pact for years, remember. This was just the formalization. The rules were simple — we’ll call each other, every week for a year, to talk about our progress. We were to pursue our goals relentlessly, journal every day, and if one of us falls into a deep depression and calls it quits then the other one must carry that weight of both torches forever more (that last part was implied). My forever accountability buddy. When Jevandre loses his job, and the calls stop, I already know what will happen. At this realization, I looked over at him, newly 9 and cross-legged on the floor of his aunt’s house and found it impossible to be present and enjoy the birthday party. He calls me, finally, after 6 months, his head is shaved, he’s put on some weight, and he’s sweating in his car in the middle of a historic Washington heatwave.
“What’s up, asshole?” he says, and his usual sarcasm irks me this time. I’m relieved to hear from him, but it’s hard to be happy because of him ghosting my calls.
“You shaved your head,” is all I can say. I search for the words, but it’s 7 o’ clock in the morning and the FaceTime feels strange and uncanny. To find common ground, I try to engage in accountability-call mode, and ask him, “Have you been keeping up with fighting?”
“No, man,” he says, “that was just something to keep me alive for a little longer.”
I don’t take this seriously, despite the pitch-blackness of his melancholy seeping through the screen of my iPhone. I’m simultaneously too upset with him, and too eager to tell him about everything that happened over the last half-year.
“Well, I’ve been keeping up with music,” I say, still waking up, “And I finally got something to go viral.”
“Wait, let me see that!” at this, I notice a bit of his fire comes back, and I send him the TikTok of me and my friends in the garage, jumping around to “Happy, Healthy, Well-Adjusted.”
“This is amazing,” he says.
I’ll imagine, later, as my shattered psyche tries to integrate this final conversation into my personal narrative, that as Jevandre scrolled through those likes and comments he knew it’d be okay if he let up his end of the Pact. One in, one out: my life will begin, the day his ends. I’ll feel guilty, wondering if maybe I hadn’t found success, that he would have had a reason to get back to fighting, to hold me accountable, to keep me going.
4 years later, when I almost give up music and move to New York, I’ll find my way into a boxing gym, and I’ll hit the heavy bag in a way that feels different than before, just like the rungs of the bunk bed were different that morning on my 9th birthday. Before, a punch was a punch, but that day at the boxing gym, a punch will be an ever-expanding sequence of muscle movements and breath control and footwork, infinite opportunities in the blink of an eye to express that inherent quality that makes my mind, body and soul mine. I’ll think of Jevandre, and remember something he said about Bruce Lee’s philosophy of play at a pho restaurant, in that nebulous post-college haze. I won’t understand the weight of it in the boxing gym, at least not immediately, but that day a crack will form in the fractal engine, after which I’ll begin to unravel the idea that the universe is a zero-sum game, and start to think that perhaps Jevandre’s death had nothing to do with the Pact at all. I’ll laugh, because I had been stuck wading in this particular moment for 4 years, and the river was starting to flow change around me again. The current will feel good, familiar, sad and lustrous all at once. I’ll laugh, in the middle of the boxing gym, because it’s just so funny how even as ashes Jevandre-sensei can help me find the way to insight.
“That’s who he was to me,” I’ll say on the podium as I spoke his eulogy, “My rival, the Sasuke to my Naruto, my cousin, my old friend.”
“I know you two were brothers,” Roberto will say to me after the service, and I’ll wonder why I left that out of my speech. There will be hundreds of people, spilling out into the street, and I’ll look for Michael, hopeful that after a year of no-contact the funeral might have got him to come around. But he won’t be there, and I’ll wonder how badly he’s stuck, too.
The next day at school, Michael didn’t ask about the birthday party, but we told him anyways.

There were still enough bees this spring for us to feel comfortable capturing them in gachapon capsules. The trick was to follow a fat furry one and wait, in zen, until it started the pollination process. I found it difficult to sit still that long, but Jevandre knew the secret.
“I can meditate for 30 minutes straight,” he told us, eyes closed, full lotus on the knoll, sensei-mode.
“That’s boring,” I said. Truth be told, the thought of slowing down my brain for any period of time terrified me. In about 20 years, I’ll be laying awake in my bed, having an anxiety attack after a breakup, struggling to remember everything he taught me about how to slow my mind down. I’ll count to 8: 7 seconds of inhale, 1 second to pause at the top. When I inhale, I’ll hope my lungs inflate past that feeling Jevandre referred to as the threshold, once, on one of our weekly accountability calls in 2020.
I’ll find it difficult to even count properly. At this point, I’ll still be spelunking deep in my psyche, looking in vain for jewels to bring back to the surface, and my tired mind will be jumping too fast across spacetime to recognize the meaning of a second. What does a second feel like? Is it possible to memorize the feeling of 8 seconds without counting? I’ll think — no, probably not, but I could memorize 8 seconds of a song and use that as proxy. Perhaps music is the paint we use to cover the canvas of time, and musicians are the artists who experience life in terms of chronology, always moving forward, relentlessly and callously, and in vain we capture this flow in tiny gachapon capsules of verse, chorus, bridge. I’ll think of this brilliant metaphor and wish that Jevandre was still alive so I could tell him, but currently his focus is on a daisy topped with a black honeybee, and I don’t want to disturb him. Instead, I’ll count out another 8: 7 seconds out, 1 second at the bottom. By this time, Jevandre shoved the capsule in pocket and he emitted a faint buzzing sound as he walked back up the steps and into the classroom, me close behind, Michael trailing further.
In my bed, my mind will finally slow down, and I’ll feel guilty that Jevandre was still helping me now when I couldn’t help him then. I’ll look around the high ceilings of my loft and squint around the room, and like it did on my 9th birthday, the fractals will show themselves. This beautiful loft will be the ultimate bachelor pad, but tonight it will be an overly expensive bucket list item; 1,000 sq. ft and a patio of undeniable proof that I was better off post-breakup. My new multi-level producer desk will be a collection of dusty equipment that felt much more musical when it was a folding table in a garage on Melrose. My Hail Mary year alone downtown will be a desperate attempt to keep me in Los Angeles for a little while longer.
I’ll jolt awake, uncomfortably cognizant that Jevandre said something similar to me, on that last FaceTime. I’m concerned about this comment all day, so I call him back later in the afternoon. In the 5 hours in-between, he’s aged 50 years, the room is dark and he’s sinking into the floor.
“What are you going to do for a job?” I figure talking about the future might get him motivated again.
He takes almost 20 seconds to answer, and I sit there staring at him, politely. Time is stuttering all around him, stopping here and starting there, and I know it’s rude to finish sentences for someone with a stutter, so I figure it’d be equally rude to try to speed up time as it’s collapsing around someone.
“I wanted to — or, I mean, I want to — I will — ah, fuck,” he says, flipping plans through tenses, past, present and future each feeling equally wrong. He settles on the future, but he winces like he made a mistake. “I’m lying. I want to make videogames,” he says, finally, and it sounds more like a guess than an answer. He’s childlike in his answer, sheepish. I’ll be honest, his lack of conviction bothers me. He’s supposed to be the sensei! If he doesn’t know what to do, then what hope do I have?
“It’s going to be a long time before you make any money from that,” I say, trying to help him like he had helped me a million times, but I find it unnatural. Even as I say it, I feel flimsy.
“Can I ask you a question about elementary school?” Jevandre says.
“Uh, sure,” I say, entirely unsure, finding it difficult to keep track of the conversation as he jumps all over space and time.
“Do you remember when I broke my arm doing karate? In the summer after third grade?” he asks, but before I can confirm, he continues, “I lied. It wasn’t from karate. I broke it from punching the wall.”
“Why did you punch the wall?”
“I was mad at myself, for lying about liking Codename: JK.”
Codename: JK? What are you talking about?” I ask, trying to keep up, but the inside joke returns to me quickly, “Julie Kim? The girl you liked after Codename: EQ?”
This time, he takes so long to answer, it could be two minutes, it could be two hours. I can’t help it – I try to speed him along.
“Why don’t you think you liked Codename: JK?”
“Well,” Jevandre answers finally, “Uh, I think it’s because I liked you.”
I don’t know what to say to this. We’ve talked about his sexuality before, and how it’s been confusing for him, so rather than address how blindsiding it is to hear this, I try to be empathetic.
“That must be a weird thing to live with,” I say.
“Yeah,” Jevandre chuckles knowingly.

“I don’t know how it got there,” Jevandre said to me over the phone, almost in tears.
“Is the Charizard there?” I asked, breathless.
On the other end, I could hear Jevandre flipping through the binder. Eventually, he found it, and I was so relieved I could cry. That 2nd Edition Base Set Holographic Charizard was my most prized possession in the world. I’ll sell it for $100 in 2020, months before the Pokemon card boom, and I’ll curse my haste in selling it too early, and then a few years later I’ll curse my haste in selling it at all.
“I promise I didn’t steal it,” Jevandre said, “Someone put it in my backpack.”
I believed him, but I couldn’t believe the situation. Mom said if I brought my card binder to school, someone would steal it. It just so happened that someone stole it and framed the crime on Jevandre. Who would do such a thing? Now that I knew the Charizard was safe, I could safely engage in the whodunit. There was only one suspect…
Michael admitted it, the next day, when we confronted him.
“You guys are best friends,” he said, “Why do you even need me?”
“We’re the Troublesome Trio,” I said. That was the name we called our little group. “There’s three people in a trio.”
“Not anymore,” said Jevandre. He was, understandably, hurt by Michael’s betrayal.
Michael’s methods were effective, but messy, childish — but that’s to be expected, he wasn’t even 9 yet. Despite my Charizard being the scapegoat, I understood Michael’s purpose — Jevandre and I were closer, and he wanted to disrupt the dynamic. When we get to high school, and Michael and I go to Kentwood while Jevandre goes to Kent-Meridian, Michael and I will share proximity but we’ll never be brothers the way Jevandre and I were. Even when we go to LA, Jevandre and I will have the Pact across the country and Michael will be stuck in his bedroom coding for his day job, 30 feet away but miles apart. Always the odd one out, always the quiet one, but always and supremely there — until one day, he won’t be. I’ll regret not holding Michael’s melancholy with the proper gravity on the day he shatters the mirror in his room.
“I just need a little time away,” Michael will say to me and the band, as he cleaned up the glass and packed his backpack. “Facebook is driving me crazy.”
We won’t see him for three days, and when he gets back he’ll tell us he’s going to move out of the Melrose house and into an apartment down the street.
“I just need a little alone time,” Michael will explain, “but we’ll see each other all the time.” I’ll notice that he doesn’t ask any of us for help with the move, and when his room is finally empty we’ll realize that he never told us his address. By November 2020, after a few weeks with no word from Michael, I’ll bring it up with Jevandre on our accountability call.
“It’s just a phase,” Jevandre will say, “You remember how he gets.”
I’ll be annoyed at his sagelier-than-thou attitude, because I’ll know that Jevandre gets the same way, and he’s a hypocrite because by January 2021 he’ll stop returning my calls, too. In June 2021, I’ll leave a voicemail to Michael to tell him Jevandre died, and I’ll send him a text, too, to make sure he got it. He’ll read the text, so at least I’ll know he’s alive, but it’s frustrating knowing he won’t make it to the funeral.
“The Trio has to stay together,” I plead. We were on the swings, and I wasn’t wearing my sweatshirt because it was nearing summer again. Jevandre was still in his brown sweatshirt, head shaved, sweating. Michael was silent, not answering me. I was scared, because I knew how critical it was for me to save them, in this moment, because I wouldn’t be able to save either of them in the future.
They agreed to a stalemate. The three of us could hang out, but Jevandre and Michael wouldn’t talk directly to each other. They’d have to talk through me. Not ideal, but I could accept being the middleman. This went on for months, years, lifetimes. Michael would pass the soccer ball, but Jevandre wouldn’t touch it until I kicked it first. Later, I’ll update Jevandre on Michael’s status — someone saw him walking down Melrose, downtrodden but alive. After that, when Michael and I finally reconnect, we’ll catch up on everything we missed since Jevandre died.
“I live in Austin now,” Michael will say over coffee at Dilettante in 2023. There will be a brightness about him that I’ve never seen before. He’ll tell me how, before that, he spent a miserable year alone in LA, completely isolated, coding for Facebook and subsisting exclusively on Skittles and red wine.
“How did you end up in Austin?” I’ll ask him.
“Well, after Jevandre…” he’ll trail off, lift up his shirt, and show me a massive tattoo of Itachi’s Mangekyō Sharingan.
“That is twice as big as Jevandre’s,” I’ll say, laughing in surprise. Jevandre had the same tattoo, and even that one took up his entire shoulder.
“I’m sorry I missed the funeral,” Michael will say, wiping away a tear, “It reminded me of…me.”
Michael will tell me how, eventually, an elderly Czech woman who lived next door to him in his lonely apartment became his sole human connection. She told him a story about how when she first came to America, she passed through Austin on the way to California. Eventually, Michael will say, he had to unstuck himself, get out of LA, so he left the apartment behind, with no plan, and just drove east. This woman’s brief mention of Austin struck him somewhere on the highway, so he took the exit, stayed the night there, and never left. Now I have a girlfriend, Michael will say, and money saved up, and friends, and I’ve never been happier.
It’ll be almost too good to be true, but I’ll look for any signs of his melancholy and won’t see any. I’ll be worried it’s a manic phase, or something, so I’ll peek ahead to Sis’s wedding, but 2 years later he’s still in Austin, still laughing.
“I’m so happy for you,” I’ll tell him, and I’ll mean it, even though I feel guilty that it took him so long to find change. I’ll wonder how much quicker it would have happened if I had let the Pokemon card incident end the friendship. “I’m sorry I made you come to LA with me.”
“Made me?” Michael will laugh, “No, that was fun. I didn’t know what I was doing, so I just did your guys’ thing. I just had to find my own. How is LA, by the way?”
I won’t know how to tell him that I want to leave LA, too, that is was so hard to be there without him after the band broke up, after Jevandre died, after everything, so I tell him that things are amazing as ever. Michael will fly back home to Austin in the morning with just a backpack and I’ll fly back to Hollywood with all my luggage to an apartment too small to fit it all. Next year, I’ll move out and into a house in Silver Lake, with a dog and a girlfriend and I won’t have enough stuff to fill it. After we break up, I’ll move downtown, and into that loft with the high ceilings. I’ll hope that if I keep moving incrementally eastwards, down the river, that eventually I’ll be spit out of Los Angeles without ever having to make the choice to do so. But the river will still be stymied, too clogged with my melancholy.
“I’m excited to change,” Jevandre says, on the phone, unpausing himself.
“What was stopping you from changing before?” I ask him, pretending not to know. Pretending to wonder if, by change, he means getting a new job, or losing weight, or finding a new hobby.
Jevandre takes only about 30 seconds this time to answer. “I don’t think I’m ready to answer that.”
I’m frustrated at the non-answer, so we switch to talking about anime, which seems to be the only thing that we can level on. The conversation is getting boring, and I wonder why he’s not hanging up, but I won’t hang up either. I’m stuck in this moment, with him, forever, locked in the Pact.
In front of us, the future reaches relentlessly forward to its end. Jevandre kills himself that night, I reunite with Michael, I travel the world, I become rich and successful, my children turn 9 years old, someone speaks the last sound of my name, society as we know it crumbles and the universe reaches maximum entropy, all without me ever hanging up the phone. Behind us, the past stretches backwards, to the beginning. My song went viral the night before, I lost touch with Michael, Michael and I moved to LA together, I looked up Amber on Facebook, the TLC became a Super Buffet, Jevandre broke his arm by punching the wall, and Michael and Jevandre were still not speaking to each other by the 2006 end of the year assembly.
Jevandre was on my left, and Michael was on my right. I was excited for summer vacation, because I needed a break from playing messenger pigeon. I hoped that after a few months of not seeing each other, they wouldn’t want to be friends at all, and the fourth grade could be a clean start for all three of us. We’d be in a new class, and Ms. Brodhead probably wouldn’t seat us together the way Ms. Pak did, and we’d drift apart, so when Jevandre switched high schools we would lose touch and never make the Pact, and when I go to LA I would be so estranged from Michael that he wouldn’t have moved with me.
I was daydreaming about this beautiful alternate future when the bell rang, starting the assembly started and jolting me back to the past. The new student body president took stage to give the opening speech.
“Who is that?” Jevandre said.
Codename: JK,” said Michael suddenly, “Julie Kim. She was in my ESL class.”
It had been so long since the silence had been broken, I almost didn’t recognize how sweet it was to hear a word pass between them without going through my ears first.
“Forget Codename: EQ,” Jevandre said, “Codename: JK is my new crush.”
Michael and Jevandre burst into laughter, and I looked between the two of them, wondering if Jevandre knew, then, that this olive branch was built on a lie.
“I’m sorry,” Jevandre said, without missing a beat.
“What for?” said Michael, “I’m the one who stole the card.”
But I knew what Jevandre was sorry for. He was sorry that we were three boys intertwined by our melancholies. He was sorry he just destroyed my beautiful daydream, where he would have been saved before the melancholy killed him, and Michael wouldn’t have had to save himself before it did. He was sorry that he was going to call me on June 23rd, 2021, and I was going to be stuck on the phone with him for eternity, thinking of something to say.
I’ll have a dream about him, some months after he dies, where he came back to life for just one day, and I have that one day to convince him to stick around for good. In the dream, I brought him to Pacific Park in Santa Monica, which was a poor choice, because I don’t even think that place is very fun, but it was all I could think of. I bought him an ice cream cone, and a helicopter hat, and we got in line for the rollercoaster. I took my eyes off of him for one second to scan my ticket, but when I looked back at him he was already tying another noose. I pulled him down, and begged him to give the rollercoaster a chance, but at the top before the drop he tried to jump out, and I dragged him back in. The time between each attempt got shorter and shorter until every second of the dream was spent trying to stop him. This went on until the sun went down and it was time for him to go back home. That’s when I’ll wake up.
“I got you something,” Jevandre said, and reached into his pocket and handed Michael a gum wrapper and a golf pencil. He didn’t prepare for this moment, but it was a good joke, so Michael jumped across me to tackle Jevandre in a violent hug in the middle of the assembly.
“The Troublesome Trio is back together again,” I said, happy despite everything. It was just a few pieces of junk, but a gift was a gift.
A crack in the fractal engine.
If a gift could be a gift, then why couldn’t a dream just be a dream?
Why can’t a punch just be a punch?
Starting from that first crack in the boxing gym, the fractals will continue to collapse, back towards my 9th birthday. I unfocus my eyes, and my room becomes my room again, and Jack Black transforms back into Nacho Libre. Blinking, I’ll look around at my loft apartment, and the black hole of post-breakup baggage will shrink back down to a fun experiment to try to live in downtown, after Silver Lake and Hollywood. I’ll think of Michael in Austin, and I’ll think of my own slippery movement eastwards. I’ll realize that the river is going to sweep me up and physically spit me out of California eventually, sure, but unless I let go, my heart is never going to leave LA.
But how could I? I promised Jevandre that I wouldn’t give up. We made the Pact.
So I’ll look around at LA, too, now that the fractal engine has collapsed, and it won’t look like all my hopes and dreams anymore, nor my great divine purpose, not my failures, not my triumphs, no, it won’t look like any of that, because it’s just a place, after all, and all along this has all just been life.
“Alright, dude,” I say, “I gotta get going.”
“I’ll talk to you soon,” Jevandre says.
“I love you, man.”
“I love you, too.”
I hang up the phone, and that’s how it went, and nothing can change that. But that doesn’t mean that nothing changes. That night, Jevandre changes, and later, Michael will change, and despite how much I wished I could have stayed in place forever, I had been changing the whole time, too.

***And just like that…***
A recursive auto-fiction Gonzo-memoir becomes a blog post again.

I’m sitting in my apartment, finishing up this piece that’s taken me weeks to write, but in reality it’s taken me 4 years. I haven’t written about any of these things before, since Jevandre died. I haven’t really written many songs about it. I think I thought if I waited around long enough, the feelings would burst out of me and it would all write itself. I’ve learned that’s not the case, and very rarely do things just happen to you. Especially not to someone like me, who likes to assign meaning to every little thing. Because for something to Just Happen™, you have to just… let it happen. But sometimes, when something does Just Happen™, like a song going viral, or a friend dying, or the itch to move to New York gets too strong to ignore, I wait around to figure out what it means before leaning in and following. But a life spent stuck waiting to learn the rules is no life lived, and no game played. The game is figuring out the rules. So after 4 years stuck in this moment I decide to close the Quantum Fractal Loop™ and move the fuck on.

***So — I’m letting go of the Pact***
I’m sorry Jevandre, but I’m sure it’s a weight off your shoulders, too.

I’m not quitting music. Far from it. I’m letting go of the baggage, the pressure, the idea that I have to succeed to keep up my promise to Jevandre, and the equally Complex & Illogical feeling that my success is what killed him. I will live, for me, because my life is my life and I’m running out of time to waste. And it has nothing to do with leaving LA physically, although I very well may spontaneously move to New York next month. It has everything to do with leaving behind this idea of “LA” that I have held onto since I was a kid, that I solidified with Jevandre, that I said had to go this Exact Certain Way™ or I would stay put, stubbornly, until everything was perfect. No more. I got stuck, 4 years ago, when you died, Jevandre, and I’m no longer mad at you for it, and more importantly I’m no longer mad at myself. My life didn’t begin the day you died. I’m sorry I’ve been assigning so much personal meaning to what you did. That’s pretty narcissistic of me. You were just sad, and tired. And I’m sorry. I wish I could have saved you, but I’m done playing Orpheus and Eurydice. I just love you, and I miss you. And there’s not much else to say besides that. Before, I may have said, I’m going to “keep living for you,” or whatever, but that’s a sorry excuse to stay stuck in my grief. It’s time I start living for myself.

‘Til next time
-mbk

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The Book of Max

Dear Codename: Emily – thanks for reading the blog.

***In showbiz, that’s what we call a “hook”***
If it’s you reading this, just skip to the Tl;dr.

One day in New York City and the magic returns. I’m struggling to write this as my fingertips quiver from that noxious combination of caffeine, nicotine, hangover, lack of sleep and reckoning with destiny. After two months of solitude, I’m transported back into the world of living, breathing people. I ask those old questions: Why am I here again? What am I supposed to be doing? It’s like when you walk into a room and forget what you came for. To satisfy yourself, you check the fridge – “maybe that’s why I came.” You know that’s not why, but you pour the Brita anyways. You were a little thirsty, actually. It’s been a drought – a Closing Time™1. You can just barely remember the plentiful harvest of an Opening Time™1, but you’re starting to think it was just a dream. There’s been little Openings™, here and there. Oh nice! New lawyer. Twitch concert went without a hitch! You’re making a TV show! But there’s an inkling, an itch – that’s not what you really came for.

***So what did I come for?***
Let’s brainstorm.

Was it so I could run away to the big city and play the hometown hero? Was it so I could live in a house with my best friends? Was it so they all could leave me and I’d have to stand on the street in a shiny gold suit and busk for new friends? Was it so my song could go viral? Was it so the same day, Jevandre could die and shatter everything I knew about anything? Was it so I could run, battered and bruised, to the first person to want to build a life with me? Was it so I could spend three years with her just to break up and shatter my already shattered world even further? Was it so I could run out of money all over again and be right back where I started – running away to New York? Running back to Codename: Didi? Running away, running away, running, running… running.

***A brutal maxim***
Wherever you go, there you are.

Scattered dreams, far off memories. That’s from Kingdom Hearts. I have it tattooed on my right thigh. It’s become a mantra of mine. Something about best laid plans… something about how no matter how hard you hold on to someone, one day you can wake up in your bed, alone. Or wake up on a red eye, looking out the window. Wondering – how did I get here? Why did I come again? Better check the fridge.

I used to believe these disparate pieces of my life were part of some larger story of fate and coincidence. Every heartbreak, every lost friendship, every maxed out credit card – it was all worth it, because it would lead to some greener pasture where my dreams came true and the ends would justify the means. But what happens if nothing goes right, and I destroyed everything in the process? What am I left with? I have no choice but to believe in some fantastical conclusion, because only at the end of the story do the pieces come together and prove to you that you really were on a journey the whole time. That it wasn’t just aimless suffering and wandering and sacrifice. When I told this to Jalon she told me it sounded like I was looking for reparations. I thought that was pretty funny.

It’s almost been a year since Codename: Didi and I broke up. In that time, I’ve rationalized the loss as just another red line on my itemized karmic debt2. And yet, there’s still this sneaking suspicion, this nagging itch, this urge to check the fridge. The scaffolding of my rationalization is shaking all around me. I have yet to re-sign the Twitch deal. AWAL may not pick up the option. There’s a good chance the TV show won’t get funded. But these things have to work, right? That’s why I gave up on Codename: Didi. To make space for this… my fate.

And yet, Codename: Didi was fate as well. We should never have met. I’m a kid from Kent. She’s a girl from London. If it wasn’t for that Marvelous Wonder of Modern Technology™ called the Internet we would never have crossed paths. Cavemen would scratch their heads at our union. The Quakers would be trembling in their boots. They’d call it divine intervention. Nowadays we’d call it the Algorithm™. That cold, indifferent, faceless lowercase god that controls the lives of its poor subjects. I picture it less like sentient supercomputer AM and more like a lazy despot lounging on a kline. And we feed grapes to our great mechanical arbiter like the loyal ants we are. We post. We swipe. We type our captions like we’re scratching lottery tickets with greedy eyes on the meagre, measly off-chance you hit the jackpot. Well, I did. I met Codename: Didi. I got a viral song. Fate must have a plan for me. Right?

***Something grim I’ve started to internalize***
Fate may well just be the most elaborately disguised external validation scheme known to humankind.

Think about it. Every decision, every move you make, when chalked up to fate strips any precious hope of agency us puny humans can cling to. These offerings we make are not random. I am in control of my destiny. I can play the Algorithm™. I can change my fate. And yet…

Here I am, alone. Running out of money. Pushing 30 and still not where I thought I’d be in my career. Still not moved on. The gambit exhausted, the poker face crumbled. The metaphors mixed into meaninglessness. Why am I here? Why did I come? What’s in the goddamned fridge? Maybe I placed my bet on the wrong horse. Who am I, and what are my plans, compared to fate? I was at a crossroads – do I run towards Codename: Didi? Or do I run towards my dream? Both, I thought, were my fate. But how can I deny fate on one hand and rely on it in another? Can we really compartmentalize something as grand and unknowable as destiny?

***So I did what I do best***
I made a Pros and Cons List™.

I’ll boil it down. In one hand, was something real. A home. A dog. Love. Laughter. Companionship. A promise of progeny and legacy and all that jazz. Okay, well then what’s in the other hand? Music. Movies. Dreams. Lyrics, poems, ideas. Okay. Cool. I like Those Things™. But although they’re in my hand, I couldn’t feel them. They’re not real the way our house smelled. Or the way her lips tasted. And lately, when movies and magic and singing has been reduced to posting on TikTok and trying to shrug my shoulders as I count the views, it’s hard for it all not to feel extraordinarily flimsy in comparison to even a whisper of a memory of Codename: Didi saying my name, my real name.

On Tuesday, she said that she wanted to go No Contact™. It was funny, in a cosmically tragic sort of way. On Monday, I had just had a conversation with my parents about how I was ready to let her back into my life, even if just as a friend. And as that funny thing called fate tends to do, immediately after I called Clev and Jess and they happened to be with her and they invited me to go play some VR game. It was a perfectly lovely afternoon. At the end, they asked if I wanted to get tacos and I so desperately wanted to say yes, to slip back into our old ways when we were a foursome. But I had work to do. I think I had to go home and edit. Something flimsy. She said she needed a ride home, and I think she wanted me to drive her. I knew this, and I said no. I wasn’t ready. I know now that she had already had her mind made up to go No Contact™ the next day, and fate let us see each other one more time. And that’s how we left it. I wonder what we would have talked about when we drove home.

How does No Contact™ feel? Well, this last year, that’s all I’ve wanted. Honestly. It’ll be good for us. I’m proud of her. It’s hard to move on when the looming threat of an innocuous text – God forbid — might make my heart flutter just enough to make my conviction waver. This was my destiny. I couldn’t have both. But I liked leaving that door open, just a little bit… just to see about it. Before I signed my lease in LA last summer, I wanted to go to New York. I made up all these reasons for why it was a better idea to stay in LA, but if I’m being honest with myself it’s because… I just wanted to see about it. See if she’d come around. See if she’d try to convince me that I could have both. That we could try again. But it’s a year later, and that never happened. And now my lease is up, again. So I check the fridge.

***And just like I thought***
There’s nothing there.

So why did I do all this? Well, the answer is because at some point, as a child, I decided that art was the most real thing in the world. I have no idea how I came to that conclusion. It was easy to leave behind Codename: Apples because our relationship, however beautiful, never felt as real as the dream of moving to LA. I let the band break up and lost all my old friends because no matter how many years we had between us, it never felt as real as the songs I’d one day write about them. But I haven’t been able to move on from Codename: Didi because, for the first time, I had something that felt more real than I only thing I’ve ever known to be real. And now… that something was over. What do I have to believe in anymore? Did I really give up everything for something… *gasp* … FAKE?

***The long dream was finally over***
And I was empty handed.

Recently, I started trying church again. When all else fails, turn to Jesus, I suppose. But I’ve been faced with an insurmountable logical problem. I want to believe in God… but I fear I don’t. How do I reckon with that paradox? Why would I want to believe in something I don’t believe in? That doesn’t even make sense. The great thinkers I admire and misalign myself with are wagging their fingers at me, their would-be torchbearer3. I’ve dove headfirst into this issue and find myself in good company, I suppose. I’m at least safe from fire & brimstone in a faith-based congregation. S/O Pope Leo. Faith is most rewarded in times where it’s most difficult to have. With acknowledgement of mine own Grave Hubris™, I think of Job. I’ll flatten his Book a bit to cut through to my pretty little metaphor. Job was a tantamount Man of God™. Cheekily, that little bugger Satan placed a wager with God that Job only possessed such strong faith because God was treating him with almighty benevolence. And so God tested Job with all His divine might. Bro was determined to win the bet. Bro stripped Lil Bro of his huzz, his squad, his swag. Even if you don’t know Job, you know the phrase “God giveth and God taketh away.” That’s where it’s from. Bro tooketh away. And yet Lil Bro never wavered. Sigma mindset – how can one only believe in God when He is intervening solely one’s favor? He brings order and He brings chaos and it is beyond one’s tiny scope to pass judgement on which actions are worthy of faith. Job was based, and so Job was rizzed – he got another wife, more kids, better health and I think the promise of three our four generations of his name. Faithmaxxed. Skibidi.

***
Did the brainrot make up for the Old Testament?***
I didn’t have space to add a goon corner.

And so, although I wish it wasn’t so, I find myself as Job. Call it anti-intellectual rationalization. Call it disingenuous to have faith if I’m only faithful because I think I’ll be rewarded for it. Hey now! Job did it – I’m just doing what the Bible says. Also, the irony of “Quit Your Day Job” is not lost on me, so save your breath before you make any puns.

So I did it – just yesterday – I made a grand invocation to fate. To God. To destiny. To the Algorithm™. Please, show me a sign. I didn’t quite drop to my knees, but I did look out the window at the sun setting over the New York skyline and cried a little. I’ll let Codename: Didi. I’ll let my friends go. I’ll let my dream of New York go. I’ll let everything go. Just please, let this work. Prove to me that this is real.

And then today, I heard a song called “emily.”

***A payoff to the hook, just like I promised***
Tl;dr – I’m Job.

Hey Codename: Emily. It’s been three years since we’ve spoken. But now you’re talking to me across the universe over Spotify. I only thought it’d be right to respond here, since according to the song you do read the blog. This reminds me of the old days where we’d sit in your car until 4 o’ clock in the morning and show each other our demos. Your songs were always so effortlessly beautiful. I was in awe of you. You inspired me so much. I would go home and write songs with the intention to show you later, so I pushed myself for them to be amazing like yours. You brought out the artist in me in a way that no one ever did, before or after. Despite how we’ve left things, I’ve missed that a lot. I felt like you understood my music more than anyone else ever did. I would show you the songs I wrote about you. All the songs were about you, back then. As tumultuous as things were between us, it was great for my pen. My pen was never sharper than when I was writing about you. With you, it always felt visceral, and massive, like the songs were begging to be brought forth from the aether into existence. In 2021, I wrote 32 songs about you. In 2022, I wrote 7 songs total. That’s no coincidence. You were my muse. Many artists have a muse, but how many of them get to show their works directly to the source? And how many get to receive something back, three years later?

Lately, I’ve been struggling with the notion of releasing the remainder of True Modern Romance. The back half is where the songs get real, and personal. But like I said earlier, they’ve felt flimsy. What art could ever hold up to the real thing? No matter how much of my soul I put into them, I was convinced that the mystical, ethereal reality of a song would always be outweighed by the tangible reality of the real events that inspired it.

But that was before someone wrote a song about me.

I’ve listened to “emily” at least 50 times today. Deciphering every line. Remembering along with you every single detail of us you put in there. I know what it means to write a song about someone. But to have that turned back on me… I’ve never felt that before. And suddenly, I remember why I came.

***No need to check the fridge***
It’s always been real.

Your song is fucking incredible4. It takes a lot of courage to put out something as personal as that, and for that I applaud you like I always have. I think that’s what I’ve been lacking – courage. I’m scared. I’m scared to put my real emotions out there. I’m afraid of being heard, truly heard. That’s the blockage. And in my tiny monkey brain, rather than accept that I’m scared, I’ve done mental gymnastics of biblical proportions to convince myself that the songs aren’t real, that my feelings aren’t real. That none of this was real. Rather than just accept that… they are. That’s self-inflicted artistic gaslighting disguised as pseudo-philosophical existential sophistication. Of course the songs are real. I made them.

The fact is, your song is real, and it reverberated between us across lightyears of spacetime. That’s immutable testament to the reality of art – if not its Physical Form™, than its Emotional Legibility™. How else could I explain the fact that yesterday I asked for proof, and today I got a song written about me? Smite me, O mighty smiter.

You were always the real deal. Even back then. You know, when I first ran into you, of all the sidewalks in the world on a Sunday in West Hollywood, you made me believe that all of this was real. I still think about advice you’d give me, all the time. I still tell everyone to read The Artists’ Way, like you told me. I still tell everyone “your vision’s gotta be airtight.” I still remember when you heard Happy, Healthy and said “Max… this is it.” You knew it, so it was true. And it was so – the song changed my life. In so many ways, you changed my life.

So to address the song – no, I do not hate you. I’ve made my peace with everything. In fact, I’ve felt guilty for my part in it. I never should have made you my muse. That’s an impossible burden for one person to carry if they want to have any sort of relationship with the other. But what can I say. Thanks for all the songs. And thanks for the reminder.

Talk soon? -mbk

FOOTNOTES:
1. For the definitions of Closing Times™ and Opening Times™, read this entry: https://maxbennettkelly.com/blog0010/
2. It’s easier than feeling sad.
3. Kierkegaard, Camus and Pascal roll in their graves. Nietzsche and Tillich pout in the corner. Kafka giggles.
4. Bias notwithstanding.

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Stories

I’ve been eating a lot of Pimento cheese. It’s kind of stupid, but I was inspired to try it because Mike Ehrmantraut eats it in Better Call Saul. That used to be, and probably still is, my favorite show. I used to feel just like Jimmy McGill. Some guy, fundamentally decent, slipping endlessly towards his dark destiny. Punished endlessly for being “good,” but rewarded by the world when he finally gave into his true nature.

***That age old internet adage***
And that was the moment Jimmy became Saul.

I could talk at length at why it’s stupid and self-indulgent to consider myself analogous to Jimmy, but I’m going to zoom out as I do and talk about how stupid and self-indulgent it is to compare yourself to any character at all. My entire life I spent understanding the world through the lens of stories I’ve consumed. “Oh, that [event] reminds me of [that movie] .” “If we were in [TV Show] , I’d be [Shameless Protagonist] and you’d be [Condescending Secondary Character] .” “After [their fictional breakup] , they did [the exact same stupid shit I did] .” It’s a recursive pattern. I’m like Jimmy McGill. How? Well, because Jimmy McGill is like me.

When your entire worldview is a house of mirrors it’s difficult to know which “you” is the actual source of the reflection. Who am I without my stories? Would I be the same person if I had a different story?

I thought of a funny idea the other day— your backstory doesn’t matter. Let’s say you walk up to a stranger and say “hi.” You could make up an entirely new backstory about yourself and they wouldn’t know. What does it matter, in that moment, whether I went to UofA or UCLA? What does it matter that I’m from Washington and not New York? What does it matter if my name is Marcello or Max? You might be tempted to say— well, it’s what happens next that matters. I disagree, at least ontologically. For every person you meet, you may as well have rendered into existence just a few frames before. Your past is irrelevant to them, no matter what your past is, because they weren’t around for it. What does matter is if what you relay to them is true. It doesn’t matter that I went to UofA vs UCLA— but it would matter if I went to UofA but said I went to UCLA. The truth of the retelling matters for exactly the same reason the fact of the retelling does not— who I am, in this moment, is the only thing. How I am, and the way I present myself to this hypothetical stranger, could have been formed whether I grew up in Washington or New York. They will, in an instant, retrofit a backstory for me to make the path I took line up with the face I am presenting. However, if that path culminates in a lie, then the entire path just led to me being a liar. In this present moment, all they know of me is that truth. So hello stranger— who am I? Marcello? Or Max?

***To be honest***
I don’t even know which perspective I’m writing the blog from anymore.

I’ve lost track of which one is the lie and which one is the truth. But it’s okay. It doesn’t really matter anymore. The stories we tell ourselves will never be fully accurate to reality, because by nature, reality is not a story. The literal truth of the story matters less than the emotional truth. At least, that’s how I see the world, and I’m done feeling guilty about it. For years I’ve been deleting pictures from Instagram, going by different name, moving apartments and convincing myself that any of that changes anything. We live in a time where it is no longer possible not to perform for the world. So rather than performing authenticity, is it not more authentic to simply perform?

Scattered dreams, far-off memories. A year or so back, we got in an argument and I, like I was wont to do then, compared myself to Jimmy McGill. To me, it was an honest expression of grief and pain and frustration. Jimmy’s story was simply a proxy I could use— a shorthand. He was always down. He used that as an explanation for his sadsack behavior. She had never seen the show, so my shorthand was irrelevant. What she saw was a man experiencing life through someone else’s script. And in that moment, she knew our worldviews couldn’t collide. She could see what I couldn’t— these stories are fed to us meticulously through stagecraft and scripts and color grading and reshoots. She, in her line of work, had seen it from the inside. Lived it. I still believed in the magic. It still worked on me. She, who for her whole life told these stories, was begging me— tacitly— to be there, presently, and exist for better or worse. But I— who spent my whole life consuming these stories— went no deeper than the characters she played. Another joke— a man who sees the world through stories falls in love with a woman who tells them. I think you can guess the punchline.

I tried, in our aftermath, to be present with the world. To exist, moment to moment. To lay in the hammock, to water my pothos, to put on the sweater. But I can’t. To me, the hammock is a plot twist, the pothos is a MacGuffin and the sweater is the end credits. I can’t even think about the past without integrating it into a narrative. Why am I even writing this now? I’ve spent so long waiting— processing— existing— just to get overwhelmed and return right here, to the page. To my movies. To my songs, to my stories. So why fight any longer? Maybe I just need to get off this treadmill and give into my nature. Become the character. Stop pretending to be “real.” Ironically, it’s the most truthful thing I can do.

So maybe I am like Jimmy. Maybe this is the moment Jimmy becomes Saul. Bravo Vince. This sounds dramatic, but I am clear, I am level, and I am ready. I think you are all aware that something big is coming.

I wrote a story: A man plays one guy who writes songs and another guy who writes a movie about himself writing a play. And at the end of it, he finds out if there’s really someone at the end of the hall of mirrors or if the reflections keep going, going, forever.

Welcome to True Modern Romance.

Talk soon -mbk

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Possibility™

Been a while. I’ve been struggling to blog properly— for context, I had this Giant Sweeping Blog Post™ in mid-February that was trying to make some philosophical connection between Special Relativity and the way we as humans perceive patterns as a survival mechanism. Blah blah. I almost broke my brain writing it and remembered I’m not nearly as smart as my manic episodes suggest.1

***February 2025, in retrospect***
A month lost in my head.

Time has been slipping by extremely quickly. Meanwhile, I’ve been more productive than ever— I’ve made a ton of music, made a ton of content, and begun working on my next tentpole project a la the Junk Male short film. Can’t say too much about that quite yet, but I will anyway. We’ll call it the Codename: TMR Show project. Essentially, it’s a series in which my character, let’s call him Codename: Max Noir, investigates the True state of Modern Romance™ in an attempt to make sense of his recent break up. But really, it’s a story of a man who has lost faith in meaning and truth and is struggling to lean on his friends to bring him back to reality. It’s a funny, awkward, social commentary with an undercurrent of existential dread. It’s a mix between a sitcom and a podcast, packaged as an uncanny, hyper-real documentary-style content skit. The ensemble cast acts as themselves to varying degrees of fictionalization. It’s been completely enveloping my brain.

The loose narrative is that Codename: Max Noir is in the process of writing a script for a film in which he plays a fictionalized version of himself. It gets pretty meta, because in reality, I am writing a film, in which I play a fictionalized version of myself, and Codename: Max Noir is a sort of intermediary charactery I play to bridge the gap between Total Reality™ and Total Fiction™. It gets even more meta, to an absurd degree, when you remember that I am actually Marcello, who is playing Max Bennett Kelly™ the persona, who is playing Codename: Max Noir, who is writing a script where he plays a “fictionalized” Codename: Max Noir. Oh, and Codename: Max Noir also breaks the fourth wall and talks to the audience, but the other characters on camera don’t know there’s an audience. Yeah. Can you see my struggle?

I’ve enjoyed playing him in the sense that, much like Hollywood Thompson before him, Codename: Max Noir exemplifies my worst tendencies and allows me to externalize them, observe them, and stop fucking doing them. Essentially, he’s a neurotic, self-obsessed, pseudo-philosophical navel gazer suffering from Compulsive Derealization-Adjacent Overanalysis™. He takes any mundane topic and abstracts it into meaninglessness, perpetually losing the forest for the trees. It’s played for humor in the Codename: TMR Show, but it’s really painful to experience in daily life. The silver lining of the whole thing is that by turning this habit of mine into a comedy bit, I’m allowed to compartmentalize it and easily recognize when I am doing it in real life. For example, I’ll be on a date and start launching into some theory or tangent and my brain will go wait a minute… haven’t I already done this in an episode of the Codename: TMR Show? and stop the thought process in its tracks. It’s like a shock collar or something. I am tired of being this way. And I had to create this entire artistic exosphere just to incubate personal change. It’s working, but it makes me really envious of how people who don’t make art are able to enact change in their lives. It’s a mystery to me.

About a week ago, I was watching Friends2 and Rachel called some guy “sweet,” and I thought— huh, what makes someone sweet? Is “sweet” when someone does a nice thing for you? Is “sweet” when someone is endearing? Awkward? Is “sweet” mutually exclusive with “cool?” Is it better to be “sweet” than “cool?” But she didn’t like the guy, so is “sweet,” while widely considered a good thing, actually bad when it comes to a successful love life? Is Rachel’s definition of “sweet” different than Monica’s? And so the rabbit hole goes on and on, all in the span of a few seconds. This all leads to a complete jumble of meaninglessness and no conclusions, and my understanding of the concept of “sweetness” is no stronger than it was before. The irony is that, before going down the rabbit hole, I actually had a better understanding of what “sweet” is. It just… is. I know when someone or something is sweet. Because of my Compulsive Derealization-Adjacent Overanalysis™, I actually lose the meaning that is useful in every day life.

In this instance, the spiral broke my brain and I had to go take a hot bath and shave my legs3. I actually took a few days to recover from this one— only last night when I did yoga and a few minutes of Nadi Shodhana Pranayama did I come back to reality. When I’m in this Compulsive Derealization-Adjacent Overanalysis™ mode, everything becomes “flat,” like literally my depth perception, or at least my perception of my depth perception, goes away. Everything is fully in focus, extremely important, ready to be picked apart and viewed from every angle. I see every detail of someone’s clothing, I hear the subtext of the words they’re speaking, I smell the dinner someone is cooking the next apartment over. It’s sensory overload and every single input is subject to my incessant questioning. It’s no way to live. I’m tired of it. Thank God Codename: Max Noir exists as an outlet for that.

***A side tangent***
Is a character you play sorta like an Innie in Severance? Think about it. Like how an Innie exists in a perpetual state of work so that the Outie can live life, does Codename: Max Noir exist only in a perpetual state of emotional turmoil so that the “real me” can be happy and present?

I know this tendency to overthink is a gift as much as it is a curse, however. My ability to break something down to its atomic structure is extremely useful when it comes to creating meaningful art. In the Codename: TMR Show, I can analyze each creative decision— multicam, 24fps, flat broadcast color grade, hot mic, etc— as a means to an end to create a hyper-real, uncanny vibe. Okay, great. But where does it end? In music, for example, this way of thinking can actually be extremely destructive. Whereas film exists more on the left end of Logic <> Emotion spectrum, music exists way more on the right. It’s almost pure expression. The lyrics themselves4 don’t matter as much as the emotion behind them. When I’m writing with an artist and they want to say something along the lines of “I hate you, you fucking suck” I always tell them that in the language of music, what the listener will interpret is not a condemnation of said party’s character and more an expression of the singer’s unresolved feelings towards them, or a representation of said party’s impact on the singer. In other instances, sometimes a shittily recorded vocal take is the one, and you should resist the logical temptation to re-record with a better quality mic or room or whatever. If the feeling is there, that’s all that matters.

***A case study***
Happy, Healthy, Well-Adjusted.

When the chorus of the song initially blew up on TikTok, I was mortified. It was just a demo! A scratch vocal! I just did it on my demo mic! Oh no! Before releasing the song, I tried a version where I completely re-recorded it with a better mic in a better room. It sounded “better” in a fidelity sense, but it felt infinitely worse in, you know, A MUSICAL SENSE. Thank God Codename: Emily was there to tell me it fucking sucked, or my entire life would probably be different now.

Anyways— in my experience, film relies much more on “quality” or “precision” or whatever you want to call it. Filming Junk Male taught me that every set up counts, that the more prep you do, the better a scene is. However, I also know that you can “dead” a scene by performing it too many times. It’s a balance, but still closer to a Logical process in our little spectrum. By contrast, music is much more of an explosion. Usually, the first take is the best. You can’t control the environment as much to create any given emotion, in fact you can actually destroy the possibility of a feeling by trying to create it.

Ah. And there’s the rub, isn’t it? Much like Codename: Max Noir is my Innie to sever me from my overthinking, perhaps I am attracted to music as a whole because it teaches me that very lesson I stated above— you can sometimes destroy a possibility by trying too hard to force an outcome. It’s my core contradiction. In my life, I firmly believe that I can make anything happen. I have never set my mind to anything and not accomplished it almost exactly as intended. But is life really about trying to move an unmoveable object? Are we really Sisyphus? Perhaps we need to give in to gravity, or entropy, or whatever the fuck I was trying to get at in my Giant Sweeping Blog Post™ earlier this month. Maybe to get the ball rolling, you actually have to stop pushing and just let it roll.

Anyways, I’m back in my body and ready to start the rollout5 of not only the Codename: TMR Show but True Modern Romance™ itself. But I’m fucking scared, okay? And I’m not going to overanalyze the feeling, or pick it apart, or try to define what “fear” is, I know that I’m fucking scared because I’m putting something vulnerable and weird and new and boundary-pushing into the world and I have no idea if it’s going to work. Right now, I’m comfortable living in my little realm of Possibility™, where it could blow up or it could flop. It’s Schrodinger’s content series. It’s all potential energy. On a quantum level, you actually collapse infinite possibilities into a single reality simply by observing— on a macro, real world level, we see this every day. It’s simple. You cannot do anything without actually doing it. You can think about it, you can hypothesize, you can analyze, but nothing actually happens without Action™. It’s actually so simple it’s mind numbing— nothing gets done unless you do it. Uh, duh. It’s an immutable truth. A little baby can understand causality. It’s so funny that we needed to invent physics and atomic microscopes and the Large Hadron Collider just to study the most fundamental concepts in the universe and go— oh, yeah, I already knew that.

Okay, enough of the physics talk, big guy. Do you hear yourself? Don’t try to control the outcome or you’ll destroy the possibility. Blah blah. See you all soon. -mbk

FOOTNOTES:
1. A hyperbole.
2. After HIMYM, I’m working my way through sitcom history to help me write the Codename: TMR Show.
3. My version of David Goggins’ accountability sessions where he shaves his head in the mirror, only way more effeminate and itchy a few days later.
4. The anchor to logic, or the closest thing to an appeal to Logos, in any given song.
5. No pun intended.

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